It might not come as a surprise that my predisposition to paranormal topics might also explain my skill in the arts. My mother would say I was born an artistic prodigy, although my first drawings must have been worse than she lets on, however I did take advanced art classes at the Depot when I was 4 or 5, and was taking college level art courses through Art Instruction Schools by the tail end of my sophomore year in High school. My point is that I take my art seriously, and I try to treat my life like a large painting, and I try to maintain my ability to bring new experience into my work. It was 2008, and at this point my life had been eventful, and I was settling back into my life after a rough year that almost lost it all for me. I had learned a lot, and I thought my painting career needed something new. Despite the fact that I was intent on not feeding this topic anymore, I felt a responsibility to bring it into my artwork. I wanted to take it as close to the borderline of real magic as my mind was, and I had a surplus of 4-Leaf Clovers, so I got to work. In the end, the painting design I engineered functions as an active photo-suggestion machine, like an advertisement designed to enhance the overall impact of the 4-Leaf Clovers I use in them. Whatever effect 4-Leafers have on people, paranormal or scientific, I set out to make them stronger, using practical techniques, such as the channels of opposite colors trumpeting out from the center. This might be my crowning artistic achievement, although having a digital sketch on its way to the Moon on the Moon Arts Ark is debatably equal. That is supposed to go up with the Andy Rover next year.
The Vocanic Weird 