#47. How To Read Minds

So the time has come for me to present everything I’ve tried to teach you in a coherent way. We’ve talked about all of the concepts necessary, and hopefully you’ve given your brain time to take in and adjust to these ideas, and given it some of your own thought.  When it comes down to it, you will need to trust someone to be your subject.  I feel like it would help if they were working towards the same end and learning the same things, but that’s something I can’t back up.  Sit down with them and ask them to close their eyes and think of an image that you could recognize by the silhouette.  Then ask that if they have a standard response for these situations, to please think of something randomly different, or it won’t be in a place where you can see it.  Close your eyes, and try to spatially sense where your subject is.  Try to put that psychic focal point we talked about right in their head.  Try to reach a stillness in which you are looking at the backs of your eyelids, letting them kind of twitch as they do, but don’t consciously direct them.  Try to zone out into the standard image of blackness, so that you can see it’s negative hovering over the original, cancelling it out in places.  While staring broadly, like at the anthill opposed to the ant, watch for visual phenomena to stem from the corners of your eye.  They may look like shimmers or lines moving strangely, or like objects made of energy submerged in water.  If you aren’t seeing virtually anything at all, I would suggest waiting a couple hours and trying again, and if that does nothing, trying to ruminate over some of the earlier entries, but hopefully you’re doing better than that.  Perhaps you need my last resort in describing what psychic phenomena looks like.  This is not something I recommend if you already know what this is like, but if you stare straight forward, eyes open, and set the tip of your pointer finger on your upper eyelid, move it out to the side a little, and add a little pressure, the slightest pressure, it will create a strange anomaly on the opposite side of that eyeball.  That anomaly is the most solid thing you can see that looks like psychic anomalies.  It’s not any particular color and shape is equally hard to grasp.  In the meantime, we are mid-psychic-process, so, hopefully you should be seeing something, and we can forget about poking your eyeball.  If you think you see something and don’t understand it, don’t be afraid to ask the subject to maybe zoom in or out on their image or imagine themselves holding it, it’s led me to quite a few successful reads I thought I had failed at first.  If you see specific detail, call them out as you see them, or stare for a minute and try to draw what you saw after the fact.  You might get an image in jumbled pieces, or you might see too little to draw a conclusion, but just as all successes might have an observational influence, just because you don’t get the image right doesn’t always mean you failed making the connection or failed to receive the information you needed.  This is where I experienced success, and took off with it, so I could pass it on.  This is it.  I just walked you to the spot in the mind where you can see psychic things happen.  Once again, this is just my best explanation of what I did, and my best attempt to bring you all with me, over nothing else than the fact that I know I did something right.  The funny thing is, none of these things I’ve told you seem to be rules set in stone.  I used to think I couldn’t do it drunk but I could, I didn’t think I could do it with my eyes open but it has happened.  There are times where I left out major steps for no other reason than I forgot to apply them.  Nothing I brought to the table seemed to be a rule 100% of the time.  There was only one variable that was present at every success and gone at every failure.  Confidence.  The rules and strategies just seemed to help me believe it so my brain could get there.  Have confidence in yourself.  I have confidence in you.

Published by josephcarlson77

I just enjoy being creative.

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